Chapel Visual Artist (2025–2026) | Whitworth University

This project explored how visual art can communicate faith, theology, and personal reflection through symbolism and familiar spaces.

During the Fall semester, the work focused on the question: “How do we see art?” Using concepts such as still life, chiaroscuro (light and darkness), and negative space, the project connected artistic principles to the idea of Jesus entering human life and walking alongside people. Through visual symbolism and observation, the work encouraged viewers to consider how ordinary moments and spaces can carry spiritual meaning.

During the Spring semester, the work developed into the Room Series, focusing on God’s Plan, God’s Calling, and God’s Judgment. This series explored the perspectives of people and objects that God uses to guide others, rather than focusing solely on the main biblical figures. Stories including Samuel and Eli, Jonah and the shrub, Jephthah and his daughter, and Abraham and Isaac became the foundation for asking:

“What does it feel like to be the instrument God uses for someone else’s calling?”

A major inspiration came from participating in the Awake event and planting a seed while writing a prayer into the soil. This experience led to the realization that growth depends not only on the visible result but also on unseen support. While flowers are often admired, the pot, soil, water, and care that sustain growth are rarely noticed.

This idea was represented through hydrangeas, which symbolize visible growth and calling, while the pot and soil represent prayer, guidance, community, and support. Inspired by the meaning of hydrangea as “water jar” and the imagery of vessels in 2 Timothy 2, the work reflects the idea that people can become instruments through which God supports and shapes others.

The final Room Series installation used three doors and a cross-shaped wooden panel to represent free will and God’s plan. Doors symbolize choices and different life paths, while the light behind them suggests that God continues working through every process and decision. The lowered cross emphasizes humility and Christ’s willingness to enter human experience.

Objects throughout the room became symbolic elements: the chair represented freedom of choice, and the plant represented human response to God’s calling. Through familiar environments and symbolic objects, the project explored how God continues to work through relationships, choices, and everyday life, even when that work is not immediately visible.

This body of work combines Fine Art, faith, and storytelling to create reflective spaces that invite viewers to consider memory, spiritual growth, free will, and the unseen ways in which people become part of one another’s journeys.